By Rennella BourneMinister within the Education Ministry with responsibility for culture, youth and sport, Nicolette Henry on Monday handed over two Steinway & Sons pianos to the National School of Music.A brief ceremony was held at the National School of Music for the presentation of the smaller piano, the Upright Model K52, while the larger piano, Model D9’: Concert Grand, which is slated for concert performances, was presented at the National Cultural Centre.Minister Henry and National School of Music Administrator Andrew Tyndall discuss the finer points of the Steinway & Sons concert pianoMinister Henry was pleased to present the two grand pianos to the musical institution that was without a piano ever since the school was commissioned in November 2011.Henry relayed that the filling of this musical gap was all part of Head of State David Granger’s vision to give Guyanese the resources required for development. “I have learnt that despite that we have a National School of Music, people still have to be travelling overseas for piano lessons, and not everyone can afford to travel to take lessons,” she noted.Minister within the Education Ministry with responsibility for culture, youth and sport, Nicolette Henry posing with students and officials along with the Steinway & Sons upright pianoAccording to Remington Ally, proprietor of Remmy’s Piano Service Inc, the company the pianos were ordered through, they are made of carbon fibre which is the latest technology utilised in the production of pianos that can “almost last forever with care”. He said that the material can withstand humidity and the issue of sticky keys, which is caused by moisture, would not be a problem in these brand name pianos.The administrator of the National School of Music, Andrew Tyndall, expressed his gratitude for the new instruments.“The Minister was present here some time back…she was informed that we were getting the best piano tutor in the world for free, but we could not have accommodated the tutor because we had no piano. It was then the Minister asked for a proposal to be sent to her which was done immediately and now here we are at a handing over ceremony of pianos,” Tyndall remarked.He disclosed that the National School of Music had plans to open branches around the country, but it was continually faced with human resources challenges.” We have to get accredited music teachers to teach our students, but we are limited in that aspect; however, we are working hard to develop each student that attends the music school.”“Ideally at a National Music School, we should be accepting students from a Grade Five level, but we cannot put that as a criteria right now. This is because limited exposure is given in the school’s curriculum of music. We have students coming in as beginners, they are willing to work to improve their abilities,” added Tyndall.The National School of Music usually holds after-school programmes with students that feature tutoring in four instruments: the guitar, keyboard, steel pan and violin.Tyndall added that the music school was looking to introduce a “state-of-the-art” electronic music production programme for the people who are creative but do not want to play the instruments.According to the administrator, “the Government has been very supportive of our initiatives and we have also been able to receive funding for the constructing of our studio”.The National School of Music will be hosting “an end of semester concert” that is slated for July 24, 2016.
Alan Brazil is backing Mike Ashley’s plan to buy Rangers.The Newcastle United chief is reportedly ready to sell the St James’ Park club in order to be allowed to take charge of the Ibrox club, something he is currently banned from doing by the Scottish Football Association as he can’t own two clubs.And talkSPORT’s Breakfast show host insists it would be a good move for Rangers, and for Scottish football as a whole.Brazil said: “It’s none of my business because I’m from the other side of Glasgow – Celtic – but with the shenanigans that have gone on at Rangers over the last few years, if Mike was to come in and sort all the debt out and get a Rangers man in to run the club than they would be so much better off, that I am sure of.“He could buy the club, get rid of all the people Rangers fans are sick of now, clear it out and put a Rangers man in there to run it. And with his business brain as well, do you know what, it would give Celtic a kick up the backside.“They would suddenly start thinking, ‘OK, we can’t be selling any more [players] now, we have to think about buying for next year’. It would be healthy for Scottish football.”
Brede Hangeland and Ashkan Dejagah both missed great chances to put Fulham in front during an even first half at the Liberty Stadium.Swansea started well with Wilfried Bony seeing a header loop on to the roof of the net and Jonjo Shelvey firing wastefully over the bar when well-placed.But Fulham grew gradually into the game and Hangeland wasted a golden opportunity when he was found unmarked by Kieran Richardson’s free-kick, but the big centre-half couldn’t get over the ball and headed over from close range.Dejagah later sent a header too close to Swansea keeper Gerhard Tremmel after Alex Kacaniklic’s fine cross.Five minutes before half-time, Shelvey sent a curling effort smashing off the Fulham crossbar with Maarten Stekelenburg beaten and shortly afterwards the Whites keeper kept out Bony’s header.While Swansea finished the half strongly, Fulham had the last word with Clint Dempsey getting a shot away which Tremmel was equal to.After the draw with Sheffield United in the FA Cup on Sunday, Rene Meulensteen has reverted back to the eleven who started the last league game against Arsenal, meaning Dan Burn keeps his place in defence.Fulham (4-2-3-1): Stekelenburg; Riether, Hangeland, Burn, Richardson; Parker, Sidwell; Dejagah, Dempsey, Kacaniklic; Berbatov.Subs not used: Stockdale, Hughes, Duff, Christensen, Rodallega, Tankovic, Bent.Follow West London Sport on TwitterFind us on Facebook
Bay Area football fans salivated from one end of the 1970 NFL season to the other in anticipation of the first Oakland Raiders-San Francisco 49ers game that would rise to the level of bloodlust.The teams — the 49ers of the established NFL, and the Raiders of the upstart AFL — had met in exhibition games. But those glorified practices in no way reflected the searing animosity between the two leagues.The showdown on Dec. 20, at the end of the first season following the NFL-AFL merger, figured …
Pitcher Cameron Saso carried a shutout for six innings and Lance Lally finished it off as the top-seeded Panthers prevailed in the the quarterfinal round of the North Coast Section Division-IV playoffs, silencing the No. 8 Redwood Christian — San Lorenzo Eagles 3-0 Wednesday night at McKinleyville High.Saso struck out nine while allowing a third as many hits and walks in the win. Lally, the go-to closer for the Panthers throughout the season, ended the night with a quick no-hit seventh inning. …
Besides the screenings of documentaries, the IDFA also holds debate forums for industry experts. The festival is widely marketed throughout Amsterdam before and during its run. Workshops for aspiring filmmakers are presented by those who have been in the industry for a while. (Images: IDFA) MEDIA CONTACTS • Naomi Mokhele National Film and Video Foundation +27 11 483 0880 RELATED ARTICLES • SA film wins international award • Local flair for Sydney film fest • Cannes triumph for South African films • Big grant for African filmmakers • The best of African cinema onlineValencia TalaneAs many as 34 local filmmakers have made their way to the International Documentary Festival Amsterdam (IDFA) – with 22 documentaries in tow – to showcase locally made productions at the prestigious event.It is the largest South African industry delegation yet to take works to an international festival or market. Working with the support of the National Film and Video Foundation (NFVF), the Department of Trade and Industry (DTI) and the Documentary Filmmakers’ Association (DFA), the filmmakers will be able to network with producers and filmmakers from the Netherlands and around the world.The Devil’s Lair and The Dream of Sharahrazad, directed by Riaan Hendricks and Francois Verster respectively, are just two of the productions that will be screened. A post-production dinner will also be hosted by the South Africans, which will include performances by a DJ and pantsula dancers from African Cypher, a documentary that won accolades at the 2012 Durban International Film Festival.A 36-year-old ex-convict and gang leader from the Cape Flats is the subject of The Devil’s Lair. It follows him along his path of self-discovery, during which he confronts his violent past while at the same time tries to take care of his young family. His environment, the often violent Cape Flats, presents challenges for the man in his attempts to achieve a balance between the demands of his two roles.Worlds away, The Dream of Sharahrazad takes the viewer through the Arab Spring, as revolutions in several Arabic countries in 2011 have come to be known. It explores the changes in Egypt, Turkey and Lebanon, using the famous story collection, One Thousand and One Nights, or Arabian Nights.“We are very grateful to once again be part of this amazing platform,” said the NFVF’s chief executive, Zama Mkosi. “The IDFA provides us with yet another opportunity to take local projects to the world, which is one of our key objectives.”The IDFA is the biggest documentary film festival in the world, and every year it accepts documentaries from around the world for screening. To be chosen, the films need to meet certain criteria such as relevance of the topic, execution of the project and appeal to the audience.The DTI’s Export Marketing and Investment Assistance (EMIA) scheme works with filmmakers to help expose local productions to a wider market, as well as to assist their efforts to break into the international market. A member of the DFA board, Mayenzeke Baza, said initiatives like the EMIA were important for the growth, development and transformation of the industry in South Africa.They helped to expose emerging and previously disadvantaged filmmakers to different markets, he said, and opportunities to sell their products to international broadcasters and funders.“The documentary film genre is unique,” said Baza. “It stimulates public discourse, reflects on social, political, cultural and current events, explores history, commemorates heritage and unearths the mysteries of the universe and the planet.”The IDFA opens on 13 November and runs until 24 November. Slideshow image is of a scene from The Devil’s Lair, and is courtesy of Vimeo
25 November 2015From 27 November to 2 December people would not be able to submit identity document (ID) and passport applications, the Department of Home Affairs announced, as it would be installing upgrades to improve its services.The upgrades, on the Live Capture system, will take place at all 140 Home Affairs offices in South Africa. Upgrading the Live Capture system facilities should be seen in the context of the department’s drive to improve processes for Smart ID card and passport applications, it said.His department had already issued public notices to announce a system upgrade and the affected sites, Home Affairs director-general Mkhuseli Apleni told journalists in Pretoria on 20 November.“During the upgrade, the affected offices will not be able to receive applications using the Live Capture system. For our staff, especially supervisors, this means working overtime on Sunday, 29 November, for a successful upgrade and a speedy recovery to normal services as planned.”Full Home Affairs services will resume on 3 December.Apleni also called on all those who had already applied for their Smart ID cards and passports to collect them. Up to 95 825 Smart ID cards, 75 517 green bar-coded ID books and 51 946 passports have not been collected by the applicants.Source: South African Government News Agency
Working on a small budget with minimal workspace? Boost the quality of your video tutorials with these helpful tips and tricks for your home studio.I’ve been creating video tutorials for several years now. I’ve produced them on the road, in tiny apartments, and almost always as a lone wolf. As a result, I’ve picked up a lot of knowledge along the way. Today, I want to share some of my favorite advice with you. These tips are aimed at you folks getting started making tutorials — the ones working from home, on a limited budget. These tricks will help keep your production quality high, while working on a small budget with minimal space. LightingFor a while, I was using a few big soft boxes to keep my lighting consistent, but now I’m a stay-at-home dad with an eight month-old baby who’s just learning how to crawl. So, it’s quite dangerous to have light stands around. Also, constantly setting these up and breaking them down every day is not practical. So, what are some other options for lighting? As I’m sure you’ve heard in plenty of other tutorials, using natural light is always great. In fact, my setups almost always involve using 90 percent natural light. The downside to working with window light is that it will constantly change, and you can only shoot at particular times of day. Also, you might not have a window — or live in Alaska. As an alternative, I suggest purchasing a few small LED lights from Aputure. These wonderful little lights are bicolor, dimmable, and they don’t get too hot. These are perfect for my situation because I don’t have to put them on a light stand and plug them in — they’re very small and run on batteries. I often place one on my desk and use it as a fill light, bouncing it off the wall. Both the F7 and MX are budget-friendly, and you can use both in any situation — as a key, fill, or backlight. I can even throw one in the background as an accent light.BackgroundIf you’re working in a small or shared living space, you might not have the option to set up a custom background for your shot. This can lead to revealing personal areas of your living space, including personal items. When I’m watching someone on camera, I always feel weird looking at their bed in the background. Or if everything is in sharp focus, my eyes will wander around curiously to their bookshelves and nightstands.I like to make sure that I don’t have anything too distracting in the background. To help keep the viewer’s attention on me, I simply blur it out. To achieve the blur, I open up the aperture to give the shot a shallow depth of field. If you can’t get a good blur, you can always use medium or close-up shots to help crop out any distracting items. It’s also helpful to keep the camera around eye level, so the viewer isn’t gazing awkwardly down or up at you. Last, but not least, windows can also help provide a more dynamic background.Framing and CompositionWhen you’re working by yourself, it can be a huge pain just trying to finesse the framing of your shot. For this reason, it’s great to get a camera with a flip-around screen. Alternatively, you can monitor your shot with your TV. My tutorial camera setup unfortunately doesn’t have a flip screen, so I simply plug the camera directly into my television via an HDMI cable, and turn it around so I can see the shot.Another trick is to vary the composition of your shot, which will give you options in the edit room. If you shoot everything with the same framing, it might prove difficult to avoid jump cuts. For this, you can simply shoot several takes at various compositions, or shoot in 4K. Shooting in 4K will allow you to scale and reframe your shot when editing in a 1920×1080 sequence. AudioI would prefer to use a nice shotgun mic with a mic stand and a shock-mount. But once again, this takes up quite a bit of room, and it can be pricey. You can pick up USB plug-and-play mics such as the Yeti Nano that are relatively cheap and very high quality. However, another issue I’ve run into is that these table mics will pick up the hum of external hard drives and vibrations from keyboards. To avoid this, you can get a boom arm to attach to your desk. I currently use the Yeticaster from Blue Microphones, which comes with the popular Blue Yeti mic attached to a shock mount on a boom arm. I have limited desk space, so it’s perfect, as I just push it out of the way when I’m not recording. When I’m traveling, I take the Yeti Nano.That’s it! Now, it’s time to put these tips into action and create some high-quality video tutorials.Interested in the tracks we used to make this video?“Heartbeartz” by Cali“Glowlight” by Ethan RankLooking for more video production tutorials? Check these out.Learn to Create Your Own 8-Bit Art in Adobe After EffectsHow to Properly Film Windows for Daytime Interior ScenesSimple Tips on How You Can Capture Better Slow-Motion VideoHow to Alter the Color of Your Video Using Lumetri CurvesVideo Tutorial: How to Use Premiere’s New Freeform View